Y’all. Somehow I haven’t written to you on this blog in over six months. With every passing day, it didn’t feel like I had much new to say or anything special going on. Besides being at home to survive a global pandemic and explosive political turmoil and Zoom Brain and all those things. Someone threw an open bottle of Coke at my car the other day, so that was exciting. Also I got my vaccines. They knocked me OUT and they sucked and I’m so very grateful I got to receive them and protect myself/others. 😀
And now I look back at all these nebulous, time-bending months at home and realize all those maddeningly repetitive, seemingly uneventful days added up to a LOT that I need to share with you in my creative life! So, here are three big things that are happening:
Every Rose has its Thorns!
ROSES IN THE DRAGON’S DEN is getting a sequel, and if you only know me through this blog then I can’t remember if you knew this already! At the very least, you probably haven’t seen the shiny new cover, so check it out! BRAMBLES IN THE WISHING WELL is currently projected for a release sometime this summer, and it will tie up all the loose ends of the first book. Carver fans, you’ll get some treats as well. 😀
2. A THOUSAND DREADFUL CURSES
BRAMBLES is the first of TWO releases I have coming this year! To be perfectly honest, writing has been incredibly difficult for me since the pandemic began, and I know I’m not the only writer in this boat. But I did have a loose idea in my head for about five years. I think I spent those years collecting “bones” for it. Personal experiences, consuming media, sorting out my values, and developing a greater understanding of myself. (I know I’m not the only person in that boat! What a year for soul-searching, lol.) I think around the time I turned 30, I didn’t realize it, but I’d collected the last bone I needed to build a skeleton. And then lightning struck and animated that skeleton! The full idea started dancing around in front of me, spewing all the words I’d been trying to find for 5 years. About a month later, I had poured out an entire novel. It was the fastest I’ve ever written anything, because I was terrified that the story would escape me if I didn’t seize it on time.
And so, I’m excited to be preparing an upper middle grade fantasy called A THOUSAND DREADFUL CURSES for Halloween 2021. It’s rooted in three things:
a “spooky-lite” aesthetic that fascinated me in my tween years. (Think Halloweentown or Hocus Pocus. If that was before your time, then you need to go watch those because you’re missing out!)
a Florentine folk tale recorded by Italo Calvino: LA RAGAZZA MELA or APPLE GIRL. It’s just about the weirdest fairy tale I can think of off the top of my head. Vengeance. Jealousy. A tiny bit of blood. Nutritious fruit!
above all: the fact that love is love. Family love will remain a theme as it has in all my books, AND it will lean into other understandings of love as well. Oh and to be abundantly clear, the protagonists are gonna be GAY! *shouts from the top of a hill and listens to the echo* Did I clear out the haters yet? Good. Everyone else, expect some Easter eggs! This will be entirely its own story in an different world than Florindale, and yet if you’ve been with me since CARVER or even ROSES, you will be rewarded and see some hidden connections. 😀
So, that’s A THOUSAND DREADFUL CURSES in a snack-sized intro. I can’t wait for Halloween!!!
3. When the words won’t flow 😦
CURSES was a fluke. As soon as I finished the story, my writing brain shut off again. I can edit things. I can come up with ideas. But I can’t string stories together right now. A lot of the creative energy is going into a new hobby I picked up last summer: drawing! I’ve had a lot of fun with digital art and the “minimalist” style, so on Procreate I’ve been creating some things. A lot of it is fandom-based: Marvel, video games, and what-not. But I’ve also tried to recreate some of the characters from my books! Here’s Hansel, for example:
It’s brought me a surprising amount of joy and taps into my need to create, especially when the words won’t come. I’ve started having certain images made into prints, and I’m really excited about how they’re turning out! If you’re interested in one or just want to support, consider donating a cup of joe on my Buy Me a Coffee website. I try to update this every couple of days or so!
Hokay! I think that captures what’s been going on in the right side of my brain these last 6 months… I continue to wish you all wellness, health, joy, and creativity! The world needs an abundance of those things in these times, and if you’re still following me, I know you’re one of the folx who is putting all those good vibes in the world right now! Just make sure to receive some for yourself too. 🙂 *flings good vibes at you*
So I can admit it: I’ve become a bit of a TV-head since the work-from-home days began. It’s been six and a half months now. Here’s to the day I thought to myself, “Well, if I’m gonna be home for three weeks, why not rewatch all the Harry Potter movies?” Those were simpler times.
Around April, I was already running out of shows. I grew so bored one night that I rented CATS. CATS, people. Do you understand how serious that is?
Luckily, Annalise Keating swept in to save my brain, and it became my nightly ritual to watch one episode of How to Get Away With Murder as my night was winding down. Some nights, I got a little carried away and just kept going, but I averaged about one a day when I could help myself. By the end of season two, it was official: After 10 years, a new show had finally dethroned LOST as my favorite TV drama. I’d found a new guilty pleasure, while at the same time, my writer brain was soaking up some lessons to mull over for my own craft. I can’t say HTGAWM is perfect writing, but it does give us a gold mine of techniques to think about. So, let’s talk about seven takeaways we can use as writers.
(This is also a great time to put up the SPOILER ALERT! I’m going to do my best to keep things loose for folx who are still early in the show, but there may be some big reveals especially toward the end, so proceed with caution!)
On Diversity and Representation:
Diversity and representation is a hot topic in the literary world today. We still need more of it, and we also need for it to be done well. When not handled appropriately, there’s a risk of creating more problems: cultural appropriation, or writing about a marginalized experience you don’t understand as opposed to providing a voice and space for underrepresented groups; and/or tokenization, tossing in a marginalized character whose only purpose to the story is to be “the diverse one”, without any real storyline of their own.
Feel free to chime on this if you feel differently, but I was incredibly happy with the diversity of the cast in HTGAWM, more importantly how their identities were portrayed. The show does not shy away from topics of power and privilege, particularly through the lenses of race and sexual orientation. Annalise is the perfect lead for this show. She’s a strong, confident Black woman, and we see all the ways that the system has oppressed her for her intersectional identities. We also see how she’s gained power and privileges from her level of education, and how she uses that to benefit those who are even more oppressed (particularly in season 5 with her big trial.) But she’s not a token. She’s positioned firmly within in a community that can round out her character and interact with those identities in various ways.
In episode one, I was convinced that Connor was going to be the “token gay man,” and while he defies many stereotypes that are so easy for other writers to reach for, he isn’t portrayed in a very positive light at first. I’ll say more on him later, but the rest of the show did a great job of complicating his story so that it wasn’t all about his identity–it was a story that anybody could’ve had, while fitting his identity neatly into the context of his character. This is so important because nobody’s ever just one identity with a spotlight on it at all times. Identity is salient in some contexts and more internal in others, and remembering this is one way to get representation right. 🙂 (Kudos to the show for complicating and being real about sexual orientation in general. It’s fluid and it’s not as simple as “gay/straight,” making it feel portrayed more authentically here than many shows I’ve seen.)
The “Ticking Clock” Effect:
This is how the show hooked me right at episode one, and continued to do so every season. They keep the basic structure each time because it works. Episode one shows you right away that something BIG is coming: the cast is carrying a dead body, and they’re flipping a coin over whether to burn it or bury it. The moment they do that, the writers make you a promise: “This IS going to happen to these characters in three months. Wanna know who’s under the sheet?”
Then in every episode that follows, the writers ingeniously and gradually peel back the curtain just enough to keep you hooked. By episode two, you already know who’s dead, but how did it happen? Then you see the bloody weapon. But who was holding it? Then you get a mugshot. But why in the world would they do something like that? Every time you get an answer, you get a new question, and the reminder that we’re counting down: two months later… one month later… 48 hours later…
And what’s even cooler about this effect: the big reveal always comes in the middle of the season, when you still have quite a ways to go before the big finish. “Here’s the whole night that the murder went down! The aftermath is enough to cover the whole rest of the season.”
Now, if you’re not a master of flash forwards, flashbacks, or cutting between two timelines, there’s still a lot of value here! Introducing a “ticking clock” really keeps the plot moving. Give your character 12 hours to find the holy grail, and make each chapter worth an hour. Show us some proof that the dragon attacks the city about every three days, and there’s not enough time to evacuate before he returns. Hint at a coming prison break, and show us why this doesn’t bode well for the protagonist. It’s one of my favorite techniques!
On Flawed Characters:
Ohhh, these characters. Maybe it’s the fact that I’ve seen more of them than I’ve seen of my friends or family in the past six months, but I’m really going to miss them now that I’ve finished the show! I was an emotional mess during the finale, partly because I just didn’t want it to be over.
I learned this early on in my writing days: Nobody likes a “Mary Sue” or “Gary Stu”, a character who is so perfect that there’s no way any of us everyday folk can possibly relate. So, it’s a good thing all of these characters are FAR from perfect. In fact, every single one of them can be downright shady, but you root for them all the way through.
Michaela is attractive and incredibly intelligent–the star student who is determined to be president one day. In her quest to seem perfect for her professor and her community, she can be downright manipulative and kind of bratty, and the other characters call her on it. Bonnie will do anything for Annalise, but she has a weakness for Frank that clouds her judgment sometimes. Connor is charming and has the strongest moral backbone of the group, but his guilt makes him broody and gets in the way of his relationships. Annalise herself is strong and confident. You want to stand up and cheer every time she gets in someone’s face or gives a speech in the courtroom. But she’s also highly insecure deep down, and her desire to protect her students leads her to do some questionable things. The final two episodes were a GOLD MINE of great characterization for Annalise, from her inner voice talking us through the outfit she’d wear to court, right up to the last minute of the finale.
Some of the best characters are walking contradictions, never an absolute in any of their traits. PLOT PERFECT by Paula Munier has a great exercise on making characters well-rounded, using Hannibal Lecter as one of her case studies. (He’s a psychiatrist, but he’s also a psychopath. He’s well-mannered, but he’s also a killer… He loves gourmet meals, but he’s also, well, a cannibal.) I recommend this for further reading!
On Powerful “KABAM” Closers:
I’ve been on this journey for 90 episodes. Ninety, and there wasn’t a single time when the credits started rolling and I didn’t whisper, “…damn. Now I HAVE to know more.” In the last season, I was much more obscene, because the endings were just so well-delivered.
This is also what I loved about LOST, and about many of my favorite books. The end of every chapter is just as strong as the first sentence. Maybe there’s a big reveal, or the promise of one. Maybe we’re peeling back the curtain a little more to get closer to the big twist in the middle. Maybe it’s just a character delivering a killer, bad-ass line. We all know ’em well. What if Star Wars was a TV show and Darth Vader said, “No, I AM your father!” at the end of the mid-season finale? We’d be spilling our popcorn and talking about it for WEEKS.
I call these KABAM statements, and I’m not happy writing a book until every single chapter has one of those statements at the end. I want you to read it and imagine the trombones sounding at the end of LOST, or the chalkboard flashing on the screen at the end of HTGAWM. Because that’s what keeps us turning pages or telling Netflix not to bother us–that yes, of course we’re still watching. Please stop judging.
On Shared Universes:
This was a really cool treat in season five: learning that How to Get Away With Murder doesn’t exist in a vacuum, but in fact shares a whole universe with Scandal. To be clear, I don’t even watch Scandal, but I know it’s another one of those Shonda shows and that Kerry Washington is the lead. So when I saw Washington writing on a chalkboard in season five, I dropped my remote and said, “Whoa! That’s the Scandal lady!”
Sure enough, that episode ended with someone speaking the character’s name out loud: “Please welcome Olivia Pope!”
Suddenly the show felt so much bigger, and I went down an internet rabbit hole telling me that yes, Annalise also showed up in Scandal that week, and I went hunting for the episode to soak up all the crossover goodness.
Here’s what made it really work: I could’ve skipped that episode of Scandal entirely, and I still wouldn’t have felt like I missed anything. The writers did a great job making it and independent story. All Scandal really did was give me a little bonus side trip to enrich the experience.
But guess what? Now I’m open to more of it. I won’t jump in right away–I need time to grieve the end of this show first, but I commend the producers for getting my attention without taking the spotlight off Annalise. There was a real, legitimate purpose for these two to show up in each other’s shows, and once that purpose was served, they didn’t milk it any further.
Ever since the MCU started crossing movies and setting up their own epic universe, a lot of people have jumped on board and tried to replicate the model: myself included. Not every attempt has been successful (looking at you, The Mummy) and there are risks to doing this. But we can learn a lot from how Shonda approached this: Both shows were still self-contained, and nobody was alienated if they didn’t watch the other. There was a real purpose for characters to cross over, and the writers stayed within the boundaries of that purpose. Had they stretched it too far with no context, they might’ve sent viewers running the other way. Instead, we run back for more!
On The Protagonists’ Journey:
Now THIS is what the show does best!
These poor, poor folx. Every protagonist in this show has been through HELL. They each have goals. Every season has a pretty clear end game. But at no point do the writers make it easy on the protags. In fact, if a character makes a plan, you can be 100% confident that something will go wrong. Another character will come in and mess it up. A new piece of evidence will be revealed, or damaged. The car brakes might even fail. These characters work HARD to get through the season, and through the day! Honestly, I felt for them.
Writers, let’s take notes on this one, because it’s our main job: We’re supposed to mess up the lives of our protagonists. If they’re making plans, we’re supposed to poke holes in them and make it as hard as humanly possible. Cut the power in their home. Hack their laptop. Make Annalise give them an exam the next day. Send Frank or the Castillos after them. It’s not nice, but it has to be done. This makes it that much more rewarding when we get to the end…
On The End:
I just finished this about two hours ago, and I have feelings. I’m a little mad about some things (well, one thing… a certain death or two that just cut a little too deep. Let’s talk.) but fundamentally, I loved this finale.
What I loved specifically: We got the resolution we needed, and a lot of peace of mind about some characters’ futures. We know that despite all the torture these characters have been through, some characters live long lives. We know that some find happiness. We know some leave an incredible legacy.
And there’s also a lot of room for us to fill in our own blanks.
We don’t have the survivors’ entire lives spelled out for us. I’m still sitting here thinking, “But does Coliver STAY together, or do they get back together years later? Or are they just reuniting as friends all these years later?” I wanted a tiny bit more aftermath for folx like Laurel and Michaela. But to some extent, a lot of that didn’t matter. The point is, at some point far in the future, they’re happy and alive. That was what I needed to know. I have some freedom to speculate on what I want to know.
And that’s what makes ending so tricky. If a story really grips us and we fall in love with the characters, we’re always going to want to know more. A lot of times for me that’s, “But are they happy now? Do they live? Are they actually free from all this?” This time, we got that answer.
I also believe that when a story is complete and out in the world, it no longer belongs to the author alone: It belongs to the audience. And the writers seem to believe that, too, because the lingering questions are the kinds that we can dream up answers for. They’re not central to the themes of the show–they’re just for fun. They’ll linger for a while without nagging or forcing us to worry. 🙂
I won’t lose a ton of sleep tonight, except to keep thinking about how much I loved watching this show for the first time.
Now, I want to hear from you all! Did you watch HTGAWM, and do you agree with my take on these seven areas? Let’s talk writing, or let’s talk TV!
“Think of it as an adventure. If you see me freak out, then you have permission to freak out. But I’m Diego Rosas, and I promised your mom I’d take care of you. I don’t freak out.”
– Diego Rosas, approximately 10 minutes before the dragon incident…
Thank Lady Fortune! Roses in the Dragon’s Den is now available on audiobook, and you can find it on Audible and Amazontoday!
I knew within the first minute of his sample that Danny Pardo was the one true voice of the Rosas family. If he looks or sounds familiar at all, he has lent voice and acting talents to projects such as:
Jumanji: Welcome to the Jungle
The Call of Duty video games
and now, Roses in the Dragon’s Den!
The most important thing was to find somebody who could bring the Rosas family to life. When I listened to his recording, there were times when I forgot I had written the words because Danny filled them with brand new life: all the heart, humor, and thrills you could ask for in a listening experience. I hope you’ll agree.
Pick it up today and share with a reader in your life!
Twelve year old siblings Karina and Charlie Rosas aren’t looking forward to vacationing with their estranged uncle. But when the Fernweh Express derails and tosses them into a wild, unrecognizable land, they trust he’ll know what to do. After all, Diego Rosas wrote the book on survival in deserts and arctic tundras. There’s nothing he can’t handle . . . until a colossal, fire-breathing dragon snatches him up and carries him away, leaving the siblings to embark on an impossible rescue mission.
With the natural elements working against them, the Rosas family adventures through the curse-infested, uncharted world in order to solve the mystery of what doomed their travels. When they meet up with a dwarf and a pirate queen who offer aid, Karina and Charlie must decide whether they can trust anyone willing to voyage into a dragon’s den. But if the siblings ever want to return home, they must trust and lean on each other, and above all, hope Uncle Diego is still alive.
It’s monsoon season in Tucson, and while it hasn’t been a very active one, I decided there was no better time to tell the story of my favorite Storm, with a capital S.
If you’ve read ROSES by now, maybe you can see how it works as a sort of rabbit hole for the ORDER OF THE BELL series. And the funny thing is, I found a million other branches I wanted to follow in ROSES itself, and the Florindale universe just keeps getting bigger. So last year for NaNoWriMo, I decided to follow one of those branches, and that’s how I wrote NIRAYA STORM AND THE CRYSTAL COMPASS.
Finishing the story was one thing–deciding what to do with it was another. I wrestled with ideas for a long time, but ultimately, I’ve made the decision that instead of releasing this on Kindle or paperback right now, it’s going to have its first home on Wattpad this week.
Niraya as a character is not one for extravagant bells and whistles. She’s a little more raw. If she could produce her own book, she’d probably write it in a simple leather book and hand it over with nothing on the cover. She deserves more than that, but to go through the level of production that I used for ROSES and THE CARVER wouldn’t feel quite right. Plus, in full transparency, it gets expensive. It may be a very long time before I’m ready to start conversations with the editor, formatter, and cover artists I want to work with again, especially because I want to continue going to cons and seeing you all at festivals!
I really love this story. I didn’t want to make Niraya wait until I could afford a fancy production. By then, I may have another story or two that I can’t wait to share with you all, and that’ll be another year or two that the story will have to sit unread. And ultimately, my dream has never been to make money off these stories–only to share them with you and hope they provide some sort of escape and entertainment when you need it. If it gains some demand on Wattpad for a tangible paperback, I may take it further, but in the meantime, I simply want to make it available to you as it is.
It’s raw. It’s not perfect. It may even be a little wild. But that’s always been Niraya Storm to her core, even when she was having her first adventure on the high seas…
When you’re ready, you’ll be able to start the story HERE this week! If you love it, leave comments on it. Niraya will want to know she was able to hold your attention. 🙂
Happy Sunday! I hope this weekend and the month of May have been excellent to you. As for me, I’m hard at work preparing for summer events! First up is Phoenix Fan Fusion (what I will always refer to as Phoenix Comic Con) from May 23-26th in the Phoenix Convention Center. The League of Fantasy Authors (which includes some of my bestest author buddies Jenna Elizabeth Johnson and Katie Salidas) will be returning to booth #696 to sell books and merch, and new this year, we’re hosting a fun game of Cosplay Bingo!
All you need to play is the card we’ll give you, something you can use to take pictures, and a good eye to spot those Disney villains, Game of Thrones characters, and favorite Avengers. Score a blackout and win a prize!
You can also find me at Arizona StoryFest in Mesa on June 1st, where I’ll be doing a live reading of ROSES IN THE DRAGON’S DEN on the author stage. Thanks to KJZZ radio for the invitation!
After Mesa, I’ll be taking a short break from events to focus on my non-authorly job for the summer, but I won’t be idle! NIRAYA STORM is in beta, and truthfully, I’m waiting for some ideas to slow-cook right now, so I’m using my pockets of free time to soak up some craft knowledge. Currently a book called Screenwriting Tricks for Authors by Alexandra Sokoloff is keeping me busy, and I invite you to work through it with me!
Sokoloff encourages writers to build a “Master List” of at least ten books/movies that influence our work, and then there are exercises that involve rewatching/rereading and analyzing the bones of these story. I love a good excuse to watch my favorite movies again and call it work! I may even share some of my findings and Master List with you all on this website somewhere. For example, one really cool trick I’ve learned is to pay greater attention to what happens at the 15 and 30 minute marks when we watch movies, which should be turning points that can teach us a lot about plot and pace.
Just looking at two of the movies on my Master List:
15 minute mark: The King of Stormhold throws a necklace into the sky and declares that the first of his sons to recover it will be his successor to the throne. The necklace knocks a star out of the sky. In another part of the world, Tristan Thorne watches the star fall and makes a promise to go find it in exchange for Victoria Forester’s hand in marriage. (I love this whole scene so much that I keep coming back to it in the Neil Gaiman book for other craft exercises.)
30 minute mark: Tristan Thorne crosses the Wall and finds the star. Surprise! The star is a woman, which definitely complicates his plans to bring it back to Victoria.
Jumanji: Welcome to the Jungle (2017)
15 minute mark: After a few minutes at each other’s throats, the four teenagers in detention get sucked into a video game and become their adult avatars.
30 minute mark: an NPC explains that the group needs to return the jewel they’re holding to the top of the mountain, but there’s a bad guy after it too… oh, and his gang is right behind you. 🙂
If you’re a writer, I’m curious what stories you’d put on your Master List, or even on mine! Most of mine tend to be family-friendly adventures with fantasy elements, ever-shifting settings and an emphasis on travel/multiple worlds, and ensemble casts. If only there was enough time to read and watch them all… 🙂
Happy Friday to you all! So, this post really can’t be about the words today. What I’m about to reveal can only be shown to you, and that’s the cover for ROSES IN THE DRAGON’S DEN! *trips* *drops cover*
I’m just . . . I’m absolutely . . . I can’t describe it. It’s everything I ever dreamed it would be. Special thank you to the designer, Amalia Chitulescu, one of the most incredibly talented artists I know. It was important to me that this cover show off a pair of young, strong, determined LATINX heroes, and I think that Amalia just did that beautifully. Look at Rina and Charlie squaring off against that beast up there! And, they look incredibly close to how the characters were imagined for the trading card set:
The preorders for this book will be live soon, but in the meantime, if you’re interested in an ARC opportunity to read this before it even hits release day, you can sign up here! I believe this is a book for you if:
You’ve ever wanted to see new places
You enjoy character-driven stories with family themes and a spirit of adventure
You like Oreos (and who doesn’t?)
You secretly wish you could sail with pirates
You’re a fan of Percy Jackson or other stories told in goofy first-person POVs
You want more Latinx heroes in your books
You’re fascinated by dragons (and who isn’t?)
You’ve watched Man Vs. Wild and wondered what Bear would do if he encountered a dragon. (Okay. Maybe that’s only me?)
Lastly, I ask that if you like this cover, share the preorder widely and add it on Goodreads. I have big dreams for this story… but it’s gonna take a team effort to make sure people know about it! What do you say? Are you with me?
Happy New Year! Because we can still say this for another week or so, right? For about as long as it takes us to stop writing “2018” on our checks and homework assignments and stuff…
If you’ve been following me for a while, you might know I had tremendous optimism for 2018, but didn’t enjoy the year that much at all. Great things did happen and I will forever be grateful for the good that occurred. But looking back at 2018 is like looking at a mean lunch lady who chucks your pizza at you from across the cafeteria. Yes, she’s giving you food, and yes, it is PIZZA for goodness sake and you love it, but she’s being incredibly uncool about it and you have to get up and face her wrath every day, and it probably costs money. In fact, she probably beat you up and took it from you, then threw the pizza at you and screamed at you to “SAY THANK YOU!”
Despite all this, I still rang in 2019 with tremendous optimism, and I hope you’ll let me share some of that with you for your year to come. I spent a few hours downtown last night and watched a jazz band called the Hot Sardines play at the Fox Theater. It was so great to soak in the infectious energy, not only from the band but the people who dressed in their best “roarin’ 20’s” attire last night, like they were ready to go “roarin'” into 2019 and insist on enjoying the next trip around the sun. I also love that social media crackles with positive energy around January 1 each year, but there are always a few downers who insist that “No, the new year will NOT be any better, because time isn’t real and humans invented it.” Fair point, smarties, but isn’t it also true that we can all be a little better? We can go into the lunch room with catching mitts, for example, or bring our own pizza. 🙂 We don’t have to go in with difficult resolutions. I actually didn’t make any resolutions at all. Every year, I simply pick a word of focus, and use that as a “theme” for how I will approach challenges.
There’s one moment in particular that I want to take with me from 2018:
This photo represents a time when I seized an opportunity and went ALL in on something new, even when all possible outcomes scared me. It was a short adventure that could have changed my life in a number of ways, but in the end what it really changed was my perspective and what I believed about myself. It was a time I knew my future was in my hands alone, and that I had the full support of people who cared. It was a time when I felt bold.
Bold (adj): showing an ability to take risks; confident and courageous.
This is my word of the year! I know what it means for me and how I can practice it in writing and life, but it may mean something different to you, or you may have an entirely unique idea of what you want out of 2019. I’m here to encourage you to grasp onto that theme and not to be afraid of it, whatever it is. If there are a couple of days where you notice it slipping from you, it doesn’t mean 2019 is a bust. It means “let’s stand back up and try this again. Let’s be stronger, wiser, and face the year with an open heart.”
The days are long, but the years are short! What can I say about 2018? It’s been a year of growth and excitement, from releasing THE HUMMINGBIRD to rebranding a series, not to mention the wonderful festivals and cons I got to take part in from Tucson to Kentucky!
The whole time, something else was in the works, and as I look ahead to 2019, this is honestly what I’m most excited about.
I want to confess that ROSES IN THE DRAGON’S DEN was the first time I wrote a book and had a “wind and thunder” moment. Did you ever see The Man Who Invented Christmas? Dan Stevens plays Charles Dickens in the time when he was struggling to write A Christmas Carol. In one of the coolest parts of the movie, he sits there spewing nonsense syllables and trying to come up with a name for his main character.
Just when he’s about to give up, his eyes light up and he breathes, “Scrooge.”
And it’s an event. Wind and thunder. The curtains flutter, the door bangs open, and there’s Mr. Scrooge, ready to engage. But it’s not until Dickens can actually name him that Scrooge takes on a life of his own and plants roots in Dickens’s mind. It’s a movie moment that gives me chills, and that was exactly what happened when I created the Rosas family: Charlie, Karina, and Uncle Diego. Finally landing on the right title was another event. The story started to sing. It took me a long time to settle on one, and the characters, voice, and even the POV changed many times over the past 2.5 years.
But once I discovered the Rosas family, they were everywhere. Diego would speak to me from the passenger seat of a rental car when I would drive through the mountains of Dragoon. “Get a look at that! Let me tell you about some of the places I’ve been.”
I would imagine Charlie running through soccer fields and Karina sitting pretzel-style in the middle of the YA aisles at the bookstore, chin in her hands and completely lost in a book she hadn’t even taken to the register yet. And I had to tell the story of what happened when their daily routines were interrupted by something so much bigger than them.
And where did the inspiration come from? The flu. I was sick in bed watching Man Vs. Wild, and at one point I said, “I want to see a situation where Bear DOESN’T know what to do. Like what would happen if a freaking dragon showed up on camera right now?” I still don’t really know the answer to that, but I DO know what Diego Rosas would do, and that’s what I get to share with you this coming spring.
So are you ready for a preview? The manuscript is in final proofreading stages, so it’s coming to you very soon! Be sure to sign up for my official newsletter (which actually isn’t what you’re reading right now 🙂 this is only my blog! Sign up here!) as the first three chapters will be exclusive to subscribers until release day.
If you’re a creative type, I hope 2019 is filled with imaginative wind and thunder for you. And to all of you, I wish you love and inspiration, good health, and plenty of Oreos to go around.